From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.

Dunhuang: China’s traditional northwest frontier and overland conduit of exchange with the Old World. Jao Tsung-i: China’s last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong’s global heyday. Jao and Dunhuang had a special relationship that this book makes accessible in English for the first time. Inside, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang’s oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia.

The articles assembled in this volume present an important selection of Professor Jao Tsung-i’s research in the field of the early Chinese intellectual tradition, especially as it concerns the human condition. Whether his focus is on myth, religion, philosophy or morals, Jao consistently aims to describe how the series of developments broadly associated with the Axial Age unfolded in China. He is particularly interested in showing how early China had developed its own notion of transcendence as well as a system of prediction and morals that enabled man to act autonomously, without recourse to divine providence.

Eight interviews with and essays by Jao are translated faithfully into English in this book, giving a sampling of his diverse insights into literature and its broader significance. Topics range from the religious beliefs underpinning the earliest Chinese writings, to the influence of Chan Buddhism on Chinese poetics, to Gu Yanwu (1613-1682) poetic protest against the Manchu conquest. Collectively the essays demonstrate how literary art and spiritual beliefs have been intertwined throughout Chinese history.

Differently from the earlier volumes of the series and their emphasis on translating specific essays by Master Jao, this book translates an entire monograph by him. In this way, it allows readers to understand more systematically and comprehensively the important contribution that he made to the field of Daoist studies. It is thus the first volume of Xuantang Anthology that presents Master Jao’s scholarly achievements in the form of a complete book by him in translation. 

This book first presents the English translation of Master Jao’s monumental works about China’s rich spiritual history. Throughout his far-reaching discussions of Chinese religious history ranging from prehistoric ancestor worship to Daoist immortality cultism and beyond, Jao’s studies draw upon an immense range of sources, including stele inscriptions, excavated manuscripts, and prehistoric artifacts. Engage with the very best of 20th-century Chinese-speaking sinology and gain new insights into China’s fascinating history of spiritual traditions. This tour de force in Chinese religious history is a must-read for anyone seeking to unravel the complexities of China's intersecting spiritual traditions.